坐擁美景四聯畫系列－不識廬山真面目（一～四） Four-Panel Series of Scenic Views – The True Face of Mount Lu Unseen, Part 1-4

以《廬山圖》為架構，呈現似水墨潑彩的創作。畫中遠方雲霧嬝繞峰巒隱現，雄偉山勢直落幽谷，充沛水氣壑底生煙，遮掩真實山勢林相，雲散之處可見屋宇、樓閣位居山凹崖邊，近處古代文人雅士吹簫撫琴，如此壯觀又悠遠寧靜的畫面，突見幾座高架電塔現出於飄渺之中，浪漫摩天輪高高矗立在山峰之上，這超時空的景緻是現代人的嚮往，是對大自然生命無盡的奢求與奪取。

坐擁美景四聯畫系列

這幅山崇嶺峻，氣勢磅礡的畫，是以張大千的《廬山圖》為架構。雲霧嬝繞峰巒隱現，山勢直落幽谷，飛瀑水氣谷底生煙，石間林木蒼鬱，居中山屋悠遠寧靜，表現畫家對風景的嚮往與對大自然的崇敬。細看，高山密林間凸現聳天的高樓、巨大的神祇像和參差不齊密集的鐵皮屋，遠處更有摩天輪；充斥古今交錯的矛盾和諷刺。現代人奢求坐擁美景必得破壞美麗山林？木橋上的挖土機預告著即將執行的任務；悠閒垂釣的漁夫與文人雅士，他們眼前的景緻又能保有多少的時日?

This majestic and awe-inspiring painting is structured upon Zhang Daqian’s “Mount Lu” (1899-1983).
Billowing mist weaves through the peaks, revealing and concealing the mountain ridges. The terrain plunges steeply into a deep valley, where cascading waterfalls give rise to swirling mist.
Lush forests grow between the rocks, and a secluded mountain lodge at the center conveys a sense of quiet distance—expressing the artist’s longing for the landscape and reverence for nature.

Upon closer inspection, however, towering skyscrapers emerge from the dense forests, alongside massive deity statues, clusters of corrugated metal shacks, and even a distant Ferris wheel.
The scene is filled with a striking juxtaposition of ancient and modern elements—inviting irony and reflection.

Can nature still accommodate human construction?
And can modern civilization truly respond to the calling of the mountains and valleys?
The work prompts viewers to contemplate the possibility of coexistence between humanity and the earth, and to consider the scale and place of civilization in the face of eternal landscapes.