二度入侵桃花源-The second invasion of the peach blossom spring

作品部分構圖來自達利（Salvador Dalí）的「哥倫布之夢」。西歐視大航海時期的成就是人類文明的一大步，形成哥倫布大交流，這樣的交流包括疾病、生物、文化等，對＂新大陸＂的原住民而言，不再是樂土，反而帶來壓迫和死亡。達利畫此圖也許不是歌頌哥倫布，更像是嘲諷某個人的夢想，是另一個人或一群人的夢魘。帝國殖民統治，隨著科技和宗教的入侵從未停止過，21世紀的宗教旗幟把瑪利亞換成了Al女神。

Part of the composition in this work draws inspiration from Salvador Dalí’s The Dream of Columbus.
In Western Europe, the Age of Exploration is often celebrated as a great leap for human civilization, leading to the so-called “Columbian Exchange”—a massive transfer of diseases, species, and cultures.
But for the Indigenous peoples of the “New World,” this exchange brought not prosperity, but oppression and death.

Dalí’s painting may not have been a celebration of Columbus, but rather a satire—where one person’s dream becomes another’s nightmare.
Imperial colonization, under the banners of technology and religion, has never truly ceased.
In the 21st century, the religious flag no longer bears the image of Mary, but that of an AI goddess.